EXCERPTS-LA SYMPHONIE-THRASHE DU PROFESSEUR-JUIF-REBELE

  • Steve Lieberman’s Boundary Pushing Symphonic Thrash!

    The first composers to insist on the aesthetic necessity of noise in music were the Italian Futurists at the start of the 20th century, who made and performed with new noise-producing instruments. Forward to the 21st century, and there are only a handful of artists using extremes of massive...